Naad - Nartan
Journal of Dance and Music
ISSN 2349 - 4654 (Print)
UGC CARE Listed
DOI (Digital Object Identifier) zenodo.org
| Name | Title | Access |
|---|---|---|
| Editorial | Click Here | |
| 150 years of Vande Matram | Click Here | |
| Abhashika Bahre Prof. (Dr.) Vidhi Nagar | Echoes Beyond Borders:– The Global Journey of Performing Arts as a Tool of Cultural Diplomacy in Post-Independence Era | Click Here |
| Ashu Kanti Sinha Dr. Rakesh Kumar | Resonance and Transformation: The Living Evolution and Survival of Indian Folk Song Traditions | Click Here |
| Avinash Kumar Dr. Richa Mishra | The Decline of Audio Cassettes in India | Click Here |
| Budhaditya Pradhan Dr. Rajesh Shah | Challenging Tradition and Redefining Identity in Indian Classical Music | Click Here |
| Chaitanya Sinha Dr. Udaya Kiran KT | Rasoolan Bai and the Preservation of Purab Ang Thumri in Hindustani Classical Music | Click Here |
| A.W.A. Chameera Lakshan | A Study of the Evolution of Kathak Dance Tradition in the Darbar (Royal Court) | Click Here |
| Divyasri Pisupati Dr. Vyzarsu Balasubramanyam | Tradition In Transition The Adaptive Art of The Modern Carnatic Musicians | Click Here |
| Dr. D.V.K. Vasudevan | Pedagogical Transitions in Indian Classical Music: MOOCs, Apps, and Online Platforms | Click Here |
| Ganti Sriharsha Dr. Pavani Duddu | Bridge, Bow and Beyond: Tracing the legacy of Dr. L Subramaniam in global music | Click Here |
| Abha Singhal Bansal Professor (Dr.) Bhawna Grover | Reconstructing the Natyashastra tradition of Kathak through medieval sculptures of North Gujarat | Click Here |
| Antariksh Pasricha Aditya Bhatnagar | Why Certain Music Feels More Resonant: A Frequency-Based Study of Shrutis, Natural Tuning, and The Psychoacoustic Appeal of Music – With Observations From High School Classrooms | Click Here |
| Mrs. Aparna Mahesh Panse Dr. Nandkishore Kapote | From Tradition to Therapy: Integrating Kalā and Śāstra in Kathak for the Holistic Development of Children with Cerebral Palsy | Click Here |
| Aasawri Singh | Dance Direction Based on Kathak: Changing Socio-Cultural Contexts | Click Here |
| Dr. Atindra Sarvadikar | Critical Analysis of the Application of New Education Policy 2020 to Hindustani Classical Music at Universities: Advantages and Challenges | Click Here |
| Ayushi Mishra Dr. Aparna Bhat | Gender and Costumes in Kathak: Tradition, Transformation, and Inclusivity | Click Here |
| Isuru Rushan Kapuduwa Dr. Dipanwita Singha Roy | A Comparative Study of the Nanumuraya Dance of Riddiyāgaya Shanthikarmaya in Sri Lankan Low Country Traditional Dance and the Solah Shringar Used in Kathak Abhinaya in India | Click Here |
| Jaishika Singh | Cultural Transition:Indian Youth’s Predilection for Western Dance Over Indian Classical Dance in the context of Kathak | Click Here |
| J. Chandana Ruwan Kumara Dr. B. Satya Vara Prasad | The Iconography of Female Musicians in Indian Buddhist Art | Click Here |
| Soibam Monica Chanu Dr. Kumar Sargam | Music on Spiritual Approach in Meitei Death Rituals | Click Here |
| Joy Dey | Kobigaan Bengal’s Fragile Heritage of Poetic Duels | Click Here |
| Layapriya CMR Dr. Vyzarsu Balasubrahmanyam | Notation Systems in Tirumala Inscriptions: Insights into Early Music Practice | Click Here |
| Dr. P. Lilaabati Devi | The Sacred Philosophy of Lai Haraoba | Click Here |
| P.G.C.M.T. Bandara | The Improvisation of North Indian Raga-Based Music in Sri Lankan Nurthi Theatrical Music | Click Here |
| Srijan Dhir Dr. Amrapali | Strings and Scripts: ChatGPT’s Role in Shaping Indian Music | Click Here |
| Ms. Shikha Ramesh Prof. (Dr.) Vidhi Nagar | Bridging Tradition and Technology: The Evolution of Kathak Pedagogy in the 21st Century | Click Here |
| Rutu. N. Raj Prof (Dr) Rohitha Eswer | Change and Dynamism in Theyyam: A Perspective towards Modernism | Click Here |
| Ms. Ragini Kalyan Prof. Dr. Vidhi Nagar | From Ephemeral to Eternal: Role of Archival Practices in Safeguarding the Performing Arts | Click Here |
| Saikhom Pinky Devi | Folk Song of Meitei Community | Click Here |
| Priyanka Dixit | The role of Recorded music in clinical music therapy practice in India | Click Here |
| Dr. Mrs. Putanjani Mungar Purgus | Legal and Ethical Frameworks in Using Traditional Compositions: A Focus on Indian Classical Music and Dance | Click Here |
| Mr. Panchangam Kalyan Haritas | Modernizing Vocal Schooling: Impact of Training Devices and Software Tools | Click Here |
| Neha Kumari Dr. Khileshwari Patel | Kalakshetra’s Influence on Evolution of Bharatanatyam Pedagogy | Click Here |
| Naresh Kumar | The ‘Bloomsbury Gharana’ : A Genealogy of scholars of South Asian Music | Click Here |
| Namrata Kumari Dr. Pragya Pyasi | Listening Habits of Hindustani Classical Music Learners: Patterns, Preferences, and Their Impact on Raga Perception and Performance | Click Here |
| Antariksh Pasricha | Swar-Gyan (Note Identification) in The Digital Age : An Analytical Exploration of AI’s Expanding Role in Global Music Pedagogy, With A Special Focus on Indian Classical Music Traditions | Click Here |
| Malini Ramasubramanya Dr. M S Parameswaran | Allied Rāgas in Tyagaraja’s Lineage | Click Here |
| Priyanka Dixit.B Dr. K.V. Sriharsha | Preference for Drumming: Cross-Cultural Reinventions in Indian Music Therapy Practices | Click Here |
| Anjali Girdhar Dr. Manjiri Deo | Ghungroos Speak Shakespeare: Romeo and Juliet in Kathak | Click Here |
| Mohit Bhaduri Dr. B. Satya Vara Prasad | Digital Aesthetics, Performance Formats and Audience Engagement of Indian Classical Tabla on Youtube | Click Here |
| कल्पना गोयल डा. ऐश्वर्या भट्ट | संगीत कला को संरिक्षत और संवधर्न करने में वनस्थली विद्यापीठ की भूमिका | Click Here |
| पंडित अरविन्द कुमार झा | एकल तबला वादन में बनारस घराने की अभिव्यक्ति में परंपरा और आधुनिकता का सामंजस्य | Click Here |
| आसावरी पाटणकर | कथक नृत्य में उत्सफुरतता से उपज की ओर बढ़ते हुए रियाज़ का महत्व | Click Here |
| हरमनजोत कौर डॉ. रानी | धारणा गायन शैली के उद्भव एवं विकास | Click Here |
| डा. ज्योति शर्मा | उत्तर क्षेत्र सांस्कृतिक केंद्र पटियाला के विरास्ती कलाओं के विकास में योगदान | Click Here |
| मोनिका भट्ट डा. पूर्वी लुनीयाल | मरू धरा के मांगिणयार लोक संगीत संरक्षक : कोमल कोठारी (कोमल दा) | Click Here |
| प्राजक्ता लक्ष्मीकांत उपरकर | परंपरा और नवाचार के बीच कथक में फ्यूजन/कंटेम्पररी प्रयोग पर परंपरागत गुरुओं के दृष्टिकोण | Click Here |
| प्रियतोष कर्णाटक डा. गंगा तमांग | कुमाऊँ में शास्त्रीय तबला वादन के प्रचार प्रसार में डा. विजयकृष्ण की भूमिका | Click Here |
| डा. राणा प्रताप यादव | समकालीन हिन्दी रंगमंच: परंपरा और आधुनिकता के सुमेल | Click Here |
| डा. रानी | पंडित कुमार गंधर्व के संगीत दर्शन: लोक और शास्त्रीय संगीत का समन्वय | Click Here |
| विजय शंकर मिश्र | तबला एवं मृदंगम के तुलनात्मक अध्ययन एवं वादन में अंतरसंबंधित प्रयोग | Click Here |
| वृषाली द्विवेदी प्रो. डा. रुचिमिता पाण्डे | जन – संगीत चेतना का संवाहक एवं सुर के जादूगर: पंडित काशीनाथ बोडस | Click Here |
| विजेता शर्मा डा. अश्विनी कुमार | कोरोना महामारी में हिन्दुस्तानी शास्त्रीय संगीत के डिजिटल रूपांतरण: नवाचार, परंपरा और वैश्विक पहुँच | Click Here |
| शिवराम नारायण मोपकर डा. उदय कुलकर्णी | ताल पक्ष में लड़ी के महत्व एवं उपयोगित – तबला और कथक के संदर्भ से | Click Here |
| श्रीपाद प्रदीप शिरवलकर | खानदेश के जनपदीय लोकवाद्य परंपरा और वर्तमान | Click Here |
| डा. गुंजन कुमार झा | भारत के पूर्वरंग विधान और संगीत | Click Here |
| डा. राहुल प्रकाश | इंदौर घराने की परंपरा को सँवारने और रूपांतिरत करने में पंडित अमरनाथ का योगदान | Click Here |
